Friday, October 11, 2013

Laura Antonelli again : Casta e pura 1981


Antonio is the husband of a rich heiress who shortly before the death of his wife, including the risk of being ousted from the capital, he convinces the dying to ask a vow of chastity to young daughter Rosa, so that this had not been able to marry up to father's death.Twenty years later, Rose is now a beautiful girl, the whole house and church, who lives in accordance with the oath he swore on his deathbed of his mother. Soon, however, Rosa began first to have strange dreams and then to have the alluring nightly visits by the cousin Fernando. Extremely upset by these events, Rose confided to his confessor priest and nun of wanting to give to charity all his possessions. As soon as his father Antonio is aware of this idea, rather than lose the heritage that is usufructuary, is organizing a group of sexual initiation for their daughter.Laura Antonelli plays a chaste young woman who has difficulty understanding--and reining--her blossoming sexual desires.

Salvatore Samperi may have been bitter when he shot this "sexy comedy", because apart from the lovely virgin Rosa - played by the still bombastic Laura Antonelli - no one is likeable here !The movie is about a rich girl that everybody's interested in only to get a hand on the loads of cash she inherited. Between her tyranic father (Fernando Rey, getting old and less picky with scripts, it would seem) and some pimpin' playboy (Massimo Ranieri, looking sleazy and dubious), her doctor wants her to get laid, and apparently so does the village priest !But daddy doesn't want Rosa to get married, because this would mean the end of his reign on the girl's money...Conventionally shot, with a humor that the french dubbing probably obliterates, this one's fine but it's not highly entertaining or innovative. There are a few glimpses of flesh here and there, lots of suggested incest, a collective rape during a medieval party which is very confusingly shot, and a small role given to the lovely Gabrielle Lazure.If this is an attempt to mock the modern bourgeois family, it is half obtained, everybody being so morally corrupt that it is almost banalised ! We've seen it all before; the father being more interested in money than family, the wild virgin looking to burst out of her shell... It would have appeared daring during the 70's but in 1984, I will have to say that this is average filmmaking and that it's sadly forgottable.

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