Friday, March 14, 2014

Spanish Drama 1990: ¡Ay, Carmela

Carmela, Paulino, associate degreed Gustavete - United Nations agency is mute because the results of an explosion - ar a trio of traveling variety show performers. Among the chaos of the Spanish war, they're within the city of Montejo, amusive republican troops with their selection act. they're survivors driven not specifically by nationalism however by a want for preservation. Their show consists of 4 acts. It begins with Carmela singing and performing arts a standard song. The audience is great throughout her performance, however the mood changes fully once the sound of approaching Nationalist planes is detected.
When the planes simply fly over, the show continues with Paulino reading a literary composition by Antonio Machado that introduces a note of ultranationalistic fervor representing the emotions of the Republicans in 1938. The seriousness of the instant is followed by a comic book routine within which Paulino twists himself into a spread of ridiculous postures in an endeavor to interrupt wind. The fourth and final act may be a tableau within which Carmela seems representing justice whereas Paulino brandishes the republican flag and that they sing a song whose theme is freedom.
              
The dangers and deprivation that they encounter within the Republican aspect encourage the trio to travel to Valencia. to get the gas required for the trip Carmela is needed to distract a Republican driver whereas Paulino and Gustavete steal the fuel. They take the tough journey on a misty night ending up running into the nationalist territory. Detained by a nationalist officer, they're incriminated by the Republican flag they automotivery in their car. in remission and brought as prisoners, they're placed within the native college, that is the jail camp wherever the republicans ar being control. Carmela befriends a fellow prisoner: a Polish soldier member of the International Brigade and is shocked that he has come back to fight in European nation, a wierd land whose name he cannot even pronounce. In an environment of mounting tension and terror, a number of the prisoners ar moved out to be shot. Carmela, Paulino and Gustavete ar driven away in a military automotive. they're convinced that they're conjointly attending to be killed, however instead they're taken to the native theater wherever they meet associate degree Italian Officer, Lieutenant Amelio di Ripamonte. astonishingly, the Lieutenant, learning that they're performers, desires them as a district of a show he has planned to entertain the Nationalist troops. they need to stage a burlesque of the republic in exchange for his or her freedom.

For the variability show to be performed for the nationalist, Paulino rewrites their recent script. From the showtime, the fiery and ultranationalistic Carmela rebels, displaying her true convictions as associate degree anti-fascist. However, Paulino persuades her that being their lives at stake she should go along side the performance.
The day of the show each artists ar indisposed as Carmela has her amount, Paulino a indigestion, the results of consumption a rabbit that Gustavete, writing on his slate, currently confirms was a cat. The presence of the Polish prisoners, United Nations agency are delivered to watch the mockery of their ideals, greatly upsets Carmela, inflicting her to refuse to form the amount with the flag. The show is analogous to the one they performed before for the Republican troops. Musical numbers ar followed by a literary composition, currently scan by the Lieutenant. The third act may be a comic sketch, "The Republic goes to the Doctor", within which Paulino plays a gay Republican doctor United Nations agency is visited by a feminine patient, the Spanish Republic, contend by Carmela. Claiming that she has been created pregnant by a Russian lover, contend by Gustavete, she invitations the doctor to stay his thermoter in, however he's forced to confess that's broken.

Carmela, more and more irritated by the mockery of the Republic, decides to abandon the acting, throwing the fascist audience into a mania by displaying her breast and intoning the Republican party–line. A nationalist officer rises from the audience and shoots Carmela within the forehead. Gustavete, suddenly finding his voice for the primary time, calls her go into associate degree anguish, however Carmela falls to the ground dead.
Sometime later, Paulino and Gustavete visit Carmela's rudimentary gravesite to brighten it with flowers and also the latter’s chalk board, since Gustavete regained his voice once Carmela was shot. the sole words here ar spoken by Gustavete – "Come on, Paulino" – as he leads him away. because the 2 men take the road yet again, the song "¡Ay Carmela!" is detected within the audio recording.

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