Quella Eta Maliziosa aka That Malicious Age nice Italian one

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Napoleon responds to an advertisement as a gardener and looks at a family going on holiday to ' Elba . Napoleon dealing directly with the owner. At the end of the first day of work, exhausted, she lies in bed in his room. Is attracted by the noise coming from the house and assists without intending it, the strip of a beautiful girl, who believing in complete solitude, he left the shutters of his room open. Once you have stripped completely, though, the girl escapes and the hostess closes the shutters. The next day the lady, who is the mother of the girl, asks Napoleon to go to town with his car to buy the medicines. Along the way the gardener meets the girl from the night before and gives her a ride. The two are: the girl's name is Paola. Napoleon he instantly falls in love, he gives her an appointment but Paola does not occur. One day Napoleon sees a man who makes obscene gestures and lewd under the bedroom window of Paola. Confronts him and the two come to blows. The lady of the house, called by the noise, rushes to stop them. Then explain to Napoleon that man is a fisherman who settled in the area and is not dangerous. The landlady notice a wound eyebrow arch of Napoleon and offers to cure him. Arrived in his room, told the gardener that the fisherman is known to have a highly developed member. Napoleon asks, challenging him, if he would have the courage to undress in front of her. Napoleon, in return, asks her if she would have the courage to undress in front of him. The lady of the house is completely bare. Napoleon, admiring her beautiful body, to kiss her, but she retracts. A few days later Napoleon understand why: the car is parked outside of the mistress of the house of the fisherman and knows that the two are lovers and you attend. The lady of the house has a husband who is not the biological father of Paola. Her husband is very much attracted by the beauty of the girl.

 One day Napoleon called to warn him that Paula is in bed with a fever. He does not know what to do, there are no medicines at home. The only thing I found is an ointment. Asks Napoleon to spread it on the body of Paola. After Napoleon was able to cure the fever of Paola, between the two is established a relationship of complicity. Paola make an appointment to man will pretend to go like every morning in the village (normally goes to take English lessons), but instead will go to a clearing away from prying eyes. The next day Napoleon introduces himself. Surprised, he sees a shoe first, then a few feet away his clothes. Paola is presented to him completely naked. Chases and the two make love. Meanwhile, the mother of Paula discovers that she has left the books at home. He became suspicious. After the two loved each other, Paola asks Napoleon to go to retrieve my clothes. While the man is absent, there comes a fisherman, finding Paola naked excite. The girl gets to take fright, and he took a large stone, slams him with all his strength on the man's head. At that point, Napoleon. The gardener immediately aware of the deep wound inflicted by the fisherman and orders Paola to escape. The girl runs home and tells his mother. The woman immediately presented on the site that showed her daughter and, in turn, noting that the man is dying, ordered Napoleon to run home to take some medication. However, shortly after Napoleon started, the fisherman dies. The hostess drag his body to the shore and, using a boat, throw it in the lake. When Napoleon returns he says, very cynically, that accuses him of killing the fisherman: no one will believe it was Paola. The only alternative for the gardener is to hope that the body does not return to the surface again. Napoleon realizes that the woman is serious. The next part of leaving the house, Paola and for ever.

So what do you prefer... Basict instinct 1 or 2? (Part 2)

Basic Instinct 2, also known as Basic Instinct 2: Risk Addiction, is a 2006 German/British/American/Spanish thriller film and the sequel to 1992's Basic Instinct. The film was directed by Michael Caton-Jones and produced by Mario Kassar, Joel B. Michaels, and Andrew G. Vajna. The screenplay was by Leora Barish and Henry Bean. It stars Sharon Stone, who reprises her role of Catherine Tramell from the original, as well as David Morrissey, David Thewlis and Charlotte Rampling.
The film follows novelist and suspected serial killer Catherine Tramell, who is once again in trouble with the authorities. Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her after a man in Tramell's presence dies. As with Detective Nick Curran in the first film, Glass becomes a victim of Tramell's seductive games.After being in development hell for a number of years, the film was shot in London from April to August 2005, and was released on March 31, 2006. After numerous cuts, it was released with an R rating for "strong sexuality, nudity, violence, language, and some drug content." The film was not as well received as its predecessor and fell short of commercial expectations. Compared to its predecessor, Basic Instinct 2 is lighter in nature, but still contains graphic violence and sex.

Set in London, the film opens with American best-seller author Catherine Tramell (Sharon Stone) in a speeding car with her companion, Kevin Franks, a famous English football star. Tramell takes the man's hand and begins masturbating with it, all the while increasing her vehicle's speed. At the point of orgasm, Tramell veers off the road and crashes into the West India Docks in Canary Wharf. She attempts to save her partner but, as she says while being questioned by the police, "When it came down to it, I guess my life was more important to me than his."Tramell is interrogated by Detective Supt. Roy Washburn (David Thewlis) of Scotland Yard. He notes that D-Tubocurarine, a neuromuscular blocking agent used to relax muscles during general anesthesia, was found in her car and in her companion's body, and the companion wasn't breathing at the time of the crash, and that a man named "Dicky Pep" said that he sold Tramell "15 milliliters of DTC last Thursday." Tramell counters by saying that this Dicky Pep must be lying because "you’ve got him on some other charge and he's trying to deal his way out, if he even exists." Tramell begins therapy sessions with Dr. Michael Glass (David Morrissey), who has conducted a court-ordered psychiatric exam and given testimony in her case. Dr. Glass strongly suspects that Catherine is a sociopath incapable of telling the difference between right and wrong. Tramell begins to play mind games with Dr. Glass, who becomes increasingly frustrated with, yet intrigued by, this mysterious woman. Soon, Dr. Glass's own life begins a spiral of destruction.One night, Dr. Glass goes on a date with Michelle Broadwin (Flora Montgomery), and has rough, violent sex with her after dealings with Tramell. Dr. Glass receives a phone call from his ex-wife, Denise (Indira Varma), in a state of distress. Her partner, Adam Towers, a journalist writing a negative story about Dr. Glass, has been found strangled to death. Dr. Glass suspects that Tramell committed the murder and is attempting to frame him for it. More murders begin to surface around Dr. Glass as his obsession with Tramell grows and his career and life are threatened – he finds his ex-wife in a bathroom with her throat slit after they have an altercation in a bar. Later the aforementioned Dicky Pep is killed – eventually, he himself can no longer tell right from wrong, and the police begin to suspect Dr. Glass of involvement in the crimes.The situations comes to a head during a confrontation between Dr. Glass and Tramell at her apartment where, after a struggle, Dr. Glass attempts to kill Tramell. Tramell gives Dr. Glass a copy of the draft of her next novel, titled The Analyst. After reading it, he realizes that Catherine has novelized most of the recent events with herself and other people related to Dr. Glass, even himself, as characters. Then it turns out that the character based on herself is going to kill a therapist based on Dr. Glass's colleague, Dr. Gardosh (Charlotte Rampling).Glass runs to Gardosh's apartment to warn her, finding Tramell there to his dismay. Gardosh tells him that he is not in charge with Tramell's therapy anymore and that he's going to have his license revoked, due to bad practice regarding Tramell's treatment. There is a struggle between Glass and Gardosh, in which the latter is knocked out. Catherine then threatens Glass with a gun she carries, but Glass takes it away from her. When Washburn arrives at the scene, Glass shoots him because Tramell told him he had killed the girlfriend of one of Glass's patients just to "nail him".In the final scene, Tramell pays a visit to Glass at a local mental hospital where he has been institutionalized, and he learns from her that the subject of her latest best-selling novel was a man very much like him. Tramell claims that she manipulated Glass into committing all those murders for her own amusement, and flashbacks are shown of Dr. Glass committing the murders. Tramell leaves with a wicked smirk on her face, while Glass continues to sit silently in his wheelchair, stymied by frustration and rage.

So what do you prefer... Basict instinct 1 or 2? (Part 1)

When rock star Johnny Boz (Bill Cable) is viciously stabbed to death with an ice pick during sex by a mysterious blonde woman, homicide detective Nick Curran (Michael Douglas) is sent to investigate. The only suspect is Catherine Tramell (Sharon Stone), a crime novelist who was the last person to be seen with Boz on the night he died. Nick and his partner, Gus Moran (George Dzundza), visit her Pacific Heights mansion, but they find only Catherine's lesbian lover, Roxy (Leilani Sarelle), who sends them to Catherine's Stinson Beach house. When they ask Catherine about her relationship with Boz, she shows little emotion at hearing he is dead. Nick and Gus, along with their superiors, discover that Catherine has written a novel about a former rock star who was killed in the same way as Boz (stabbed in bed with an ice pick, hands tied together with a silk scarf). During questioning by detectives, including Nick, at police headquarters, Catherine engages in provocative behavior, refuses to extinguish her cigarette, and re-crosses her legs , her short skirt revealing that she is not wearing underwear. Nick, who accidentally shot two tourists while high on cocaine, attends counseling sessions with police psychologist Dr. Beth Garner (Jeanne Tripplehorn), with whom he has had an affair. Nick goes to a bar with co-workers after the interrogation and is taunted by Lieutenant Marty Nilsen (Daniel von Bargen), an internal affairs investigator bent on making life difficult for Nick. Beth arrives and Nick leaves with her, and has aggressive sex with her in his apartment. Nick learns that Catherine has a troubled history: Her parents were killed in a boating accident when she was an adolescent, leaving her a fortune; one of her college counselors, Noah Goldstein, was stabbed in his sleep with an ice pick when Catherine was attending UC Berkeley, and her former fiancé, boxer Manny Vasquez, was killed in the ring during a prize fight in Atlantic City. He also discovers that Catherine makes a habit of befriending murderers, including Hazel Dobkins, a woman who stabbed her husband and children for no apparent reason. During a visit to her house Catherine taunts Nick with information that should be confidential. As a police psychologist Beth is the only person with access to that information. Nick confronts Beth and she admits that she handed his file to Nilsen, who threatened to discharge Nick if he could not evaluate him directly. An enraged Nick storms into Nilsen's office, assaults him, and accuses him of having sold Nick's file to Catherine. Nilsen then suspends Nick, who goes home and spends the evening drinking. Beth visits him but he throws her out after a heated argument. Nilsen is found dead in his car later that night, shot once in the head with a .38 caliber revolver. Nick is the prime suspect because of their recent altercation. A torrid affair between Nick and Catherine begins with the air of a cat-and-mouse game. Catherine explains that she will base her next novel's character — a cop falling for the wrong woman only to be killed by her — on Nick, while at the same time he declares his love for her and his unchanged intention to nail her for Boz's murder. A jealous Roxy tries to run Nick over with Catherine's car but is killed in a crash during a car chase. Her death reveals that she too has a murderous past — she killed her two brothers with a razor when she was a teenager (because juvenile arrests are sealed until the individual's death, this record did not turn up earlier). Catherine seems genuinely saddened by Roxy's death and Nick begins to doubt her guilt. Catherine later reveals that a previous lesbian encounter at college went awry when the girl, Lisa Hoberman, became obsessed with her. Nick identifies the girl as Beth Garner, who acknowledges the encounter but claims it was Catherine who became obsessed. It is also discovered that Beth's husband was killed in an unsolved drive-by shooting, shot with a .38 caliber revolver.

Nick visits Catherine's house. Before Catherine comes into the room he sees on a printer the final pages of Catherine's new detective book. He quickly reads a few lines, in which the fictional detective finds his partner lying dead with his legs protruding from the doors of an elevator. Catherine comes in and explains that she has finished her book, and coldly ends the affair. Upset, Nick meets Gus, who has arranged to meet with Catherine's college roommate at a hotel to find out what really went on between Catherine and Beth. As Nick waits in the car, Gus enters the hotel elevator. As he exits the elevator a hooded figure jumps out and stabs him multiple times in the neck with an ice pick. Nick figures out there is trouble brewing and runs into the building, but he arrives too late to save Gus and finds him lying dead with his legs protruding from the doors of the elevator. Hearing the floor creak, Nick grabs Gus' gun and turns to find Beth standing in the hallway, explaining she received a message to meet Gus there. Nick suspects that she murdered Gus and, as Beth moves her hand in her pocket, he shoots her. Beth tells Nick with her final breath that she loved him. A dejected Nick checks her pocket, only to find her keys. The police arrive, and in a staircase discover a blond wig, an SFPD raincoat, and an ice pick, the weapon used to murder Gus, concluding that Beth ditched the items when she heard Nick coming up. A search of Beth's apartment turns up the evidence needed to brand her as the killer of Boz, Gus, Nilsen, and presumably her own husband—the matching revolver, Catherine's novels, and photos chronicling the writer's life. At police headquarters, all the other detectives quickly piece together the story and conclude that Beth was the killer. Nick sits on his desk, confused and dejected, knowing based on Catherine's foreknowledge of the manner of Gus' death that she must actually have been the killer and that she must have set Beth up.
Nick returns to his apartment where he is met by Catherine, knowing she's the killer. She explains her reluctance to commit to him, but then the two make love. Afterward, the conversation turns toward their possible future as a couple. Nick looks wary of her. While talking Nick turns his back on Catherine as she slowly reaches for something underneath the bed. He suggests their future will comprise sex and children. Catherine says she hates children and Nick then suggests their future will then just involve sex. At this Catherine stops reaching for something under the bed and she throws her arms around Nick, convincing him, and the two resume making love as the camera slowly pans down to show what she was reaching for under the bed: an ice pick.....

Ted Bundy ..why?

watch the clip now!!
Theodore Robert "Ted" Bundy (born Theodore Robert Cowell; November 24, 1946 – January 24, 1989) was an American serial killer, rapist, kidnapper, and necrophile who assaulted and murdered numerous young women and girls during the 1970s and possibly earlier. After more than a decade of denials, he confessed shortly before his execution to 30 homicides committed in seven states between 1974 and 1978; the true total remains unknown, and could be much higher. Bundy was regarded as handsome and charismatic by his young female victims, traits he exploited in winning their trust. He typically approached them in public places, feigning an injury or disability, or impersonating an authority figure, before overpowering and assaulting them at a more secluded location. He sometimes revisited his secondary crime scenes for hours at a time, grooming and performing sexual acts with the decomposing corpses until putrefaction and destruction by wild animals made further interaction impossible. He decapitated at least 12 victims and kept some of the severed heads in his apartment for a period of time as mementos. On a few occasions he simply broke into dwellings in the dead of night and bludgeoned victims as they slept. Initially incarcerated in Utah in 1975 for aggravated kidnapping and attempted criminal assault, Bundy became a suspect in a progressively longer list of unsolved homicides in multiple states. Facing murder charges in Colorado, he engineered two dramatic escapes and committed multiple additional assaults, including three murders, before his ultimate recapture in Florida in 1978. He received three death sentences in two separate trials for the Florida homicides. Ted Bundy died in the electric chair at Raiford Prison in Starke, Florida, on January 24, 1989. Biographer Ann Rule described him as "a sadistic sociopath who took pleasure from another human's pain and the control he had over his victims, to the point of death, and even after." He once called himself "...the most cold-hearted son of a bitch you'll ever meet." Attorney Polly Nelson, a member of his last defense team, agreed. "Ted," she wrote, "was the very definition of heartless evil."
 
Bundy underwent multiple psychiatric examinations; the experts' conclusions varied. Dorothy Otnow Lewis, Professor of Psychiatry at the New York University School of Medicine and an authority on violent behavior, initially made a diagnosis of bipolar disorder, but later changed her impression more than once.While other experts found Bundy's precise diagnosis equally elusive, the majority of evidence pointed away from bipolar disorder or other psychoses, and toward antisocial personality disorder (ASPD). Many such people often identified as "sociopaths" or "psychopaths"  are outwardly charming, even charismatic; but beneath the facade there is little true personality or genuine insight."It's like ... a storefront that's attractive and lures you in," a DES co-worker told Michaud. "But ... inside ... the merchandise is sparse." Most sociopaths can distinguish right from wrong and are not psychotic, but such ability has minimal effect on their behavior. They are devoid of feelings of guilt or remorse, a point readily admitted by Bundy himself. "Guilt doesn't solve anything, really," he said in 1981. "It hurts you ... I guess I am in the enviable position of not having to deal with guilt." Other hallmarks include narcissism, poor judgment, and manipulative behavior. "Sociopaths," prosecutor George Dekle wrote, "are egotistical manipulators who think they can con anybody." "Sometimes he manipulates even me," admitted one psychiatrist.The afternoon before he was executed, Bundy granted an interview to Dr. James Dobson, a psychologist and founder of the Christian evangelical organization Focus on the Family.

 He used the opportunity to make new statements about violence in the media and the pornographic "roots" of his crimes. "It happened in stages, gradually," he said. "My experience with ... pornography that deals on a violent level with sexuality, is once you become addicted to it ... I would keep looking for more potent, more explicit, more graphic kinds of material. Until you reach a point where the pornography only goes so far ... where you begin to wonder if maybe actually doing it would give that which is beyond just reading it or looking at it." Violence in the media, he said, "particularly sexualized violence," sent boys "down the road to being Ted Bundys."The FBI, he suggested, should stake out adult movie houses and follow patrons as they leave. "You are going to kill me," he said, "and that will protect society from me. But out there are many, many more people who are addicted to pornography, and you are doing nothing about that."Researchers generally agree that Bundy's sudden condemnation of pornography was one last manipulative attempt to forestall his execution by catering to Dobson's agenda as a longtime anti-pornography advocate, telling him precisely what he wanted to hear. While he asserted in the Dobson interview that detective magazines and other reading material had "corrupted" him and "fueled his fantasies ... to the point of becoming a serial killer", in a 1977 letter to Ann Rule he said, "Who in the world reads these publications? ... I have never purchased such a magazine, and on only two or three occasions have I ever picked one up." He also told Michaud and Aynsworth in 1980, and Hagmaier the night before he spoke to Dobson, that pornography played a negligible role in his development as a serial killer. "The problem wasn't pornography," wrote Dekle. "The problem was Bundy."Hagmaier and Bundy during their final Death Row interview on January 23, 1989 ,Rule and Aynesworth both noted that, for Bundy, the fault always lay with someone or something else. While he eventually confessed to 30 murders, he never accepted responsibility for any of them, even when offered that opportunity prior to the Chi Omega trial—which would have averted the death penalty. He deflected blame onto a wide variety of scapegoats, including his abusive grandfather, the absence of his biological father, the concealment of his true parentage, alcohol, the media, the police (whom he accused of planting evidence), "society" in general, violence on television, and ultimately, true crime periodicals and pornography.

He blamed television programming which he watched mostly on sets that he had stolen for "brainwashing" him into stealing credit cards. On at least one occasion he even tried to blame his victims: "I have known people who ... radiate vulnerability," he wrote in a 1977 letter to Kloepfer. "Their facial expressions say 'I am afraid of you.' These people invite abuse ... By expecting to be hurt, do they subtly encourage it?" A significant element of delusion permeated his thinking: "Bundy was always surprised when anyone noticed that one of his victims was missing, because he imagined America to be a place where everyone is invisible except to themselves. And he was always astounded when people testified that they had seen him in incriminating places, because Bundy did not believe people noticed each other." Blame shifting and outright denial were his principal defense mechanisms: "I don't know why everyone is out to get me," he complained to Lewis. "He really and truly did not have any sense of the enormity of what he had done," she said. "A long-term serial killer erects powerful barriers to his guilt," Keppel wrote, "walls of denial that can sometimes never be breached."

Le Mari De La Coiffeuse...nice to watch!

"Watch the clip"
yes he is born to dance,The film begins in a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. Though Antoine tells Mathilde that 'the past is dead', his life is evidence that on some level the past repeats itself. As a young boy he fantasised about a hairdresser who committed suicide and as a man in his 50s he begins an affair with a hairdresser which ends after ten years in her suicide. However there are differences, Mathilde commits suicide because she is so happy she is afraid of the happiness she has found with Antoine ending. We are unsure what Antoine has done with his life; we know, however, that he has fulfilled his childhood ambition: to marry a haidresser. The reality proves to be every bit as wonderful as the fantasy and the two enjoy an enigmatic, enclosed and enchanting relationship. The final sequence shows Antoine, in the salon, dancing to Eastern music just as he has done throughout his life. His last line is the enigmatic comment that the hairdresser will return.I agree that it feels as warm as a hug and as fanciful as a dream.  Much like in a fairy tale, real life hardly seems to be a factor here.  As you point out, “we never see them eat. We never see them sleep. We know they live in a room above the shop, but we don’t see it.”  However, despite a story of fairytale proportions, when Antoine plays music and dances to it, I do feel the film should  provide reasons for these choices.  Otherwise, how can we fully understand Antoine’s actions?


so i conclude the below:
Much to his father’s disapproval, Antoine wants to marry a hairdresser when he grows up.  Having become sexually aroused by a female hairdresser at the age of 12, Antoine (Jean Rochefort) appears to lack ambition towards anything else in his life.  When the local hairdresser/his infatuation commits suicide, it only makes his desire stronger.  As an adult, he fulfills his goal and marries a hairdresser, Mathilde (Anna Galiena).   Antoine proposes to Mathilde after visiting her barber shop just once.  They quickly elope, and we never see them do much of anything else other than happily co-exist.  But this is no happily-ever-after ending.  As Mathilde becomes fully aware that their fantastical romance cannot last forever, Mathilde takes an expected jump when she decides that the possibility of Antoine not loving her someday is unbearable. From start to finish the voice-over narrative is engaging and effective, revealing Antoine’s innermost fantasies and establishing a character driven more by feelings than by rationale.  Antoine’s sexual awakening as a young teen is not usually given this type of casual and light-hearted tone in other films, and the film is erotic without ever getting smutty.  Instead, Antoine’s desires are endearing and definitely engaging.  Anna Galiena is well cast as the object of fantastical desires, and her performance is believable despite unbelievable circumstances. Despite being adept at creating a sense of desire throughout the film, Leconte isn’t working with enough substance to propel this film into greatness.  Antoine has a suspiciously drawn-out dance number on a film, which means there’s padding in a film that’s only 82 minutes long.  This would have made a great 30 minute short film., and without being privy to voice-overs for other characters, the motivations often feel plot-driven.  The end comes as a shocking revelation, and while it is refreshing, it feels too big for this film.

Jan Dara..film from Thailand i like it

Jan is a boy growing up in 1930s Siam in a wealthy, dysfunctional family where sex has a huge impact on everyone's lives. Jan Dara is viewed by his father, Khun Luang, as cursed, since his mother died giving birth to him. The abusive Luang is a womanizer who has sex with many women in front of the portrait of his late wife.The younger sister of Jan's mother, Aunt Waad, is brought in to care for Jan. Luang has sexual relations with her, which causes young Jan to be jealous, since he has developed feelings for Waad. Waad and Luang have a daughter, Kaew, who is the apple of Luang's eye. From the beginning, he teaches her to hate the "bastard Jan". Waad, in return, treats Jan like her own son and despises Kaew.Later, another of Khun Luang's women, the sophisticated nymphomaniac Boonlueang, moves into a guesthouse on the estate, and she teaches Jan his first lessons in the ways of love.

Jan is then framed for the rape of Kaew, who was having relations with the son of one of the family's maids. But it is Jan who ends up punished for Kaew's transgressions. Later, it emerges that Kaew is pregnant, with the seed of her own father. To smooth over the damage to the family's reputation, Jan is asked to return to the family estate and is forced into an arranged marriage with his half-sister Kaew. He does so, as long as he is promised the deed to the estate, which he views as a form of vindication against his father for the abuse he endured from him during his childhood.Kaew gives birth to Luang's child and curses it after it has emerged from her womb. The child displays classic dysmorphic features found in genetic mutations such as trisomy 21, commonly known as Down's syndrome.Kaew, meanwhile, enters into a lesbian relationship with Boonlueang. When Jan discovers this, he demands that Kaew give him his own child and forces himself upon her repeatedly. Kaew becomes pregnant with Jan's child but she refuses to have the baby she is carrying, and with Boonlueang's assistance, performs a bloody, self-administered abortion.Jan subsequently finds himself repeating the libidinous patterns of his father, going as far as to have sex with a maid in his father's sitting room, in front of the portrait of his mother. Jan wonders why he can't escape the cycle of sexual abuse started by his father. Then it is revealed that Jan is the product of a gang rape of his mother.

Anne Hathaway: Screen Actors Guild Awards 2013: ‘Argo,’ ‘Lincoln,’ ‘Les Mis’ and ‘Silver Linings’ Win Big

The 2013 SAG Awards had plenty of exciting moments, including Jennifer Lawrence's win for Silver Linings Playbook and Ben Affleck's Argo success. While much of the focus was on the stage, there was still lots of action happening in the audience with stars mingling during breaks and chatting over dinner. Jennifer Garner got up from her seat next to husband Ben Affleck to pose with winner Anne Hathaway, while Busy Philipps met up with Jack McBrayer in between tables. Presenter Justin Timberlake shared a snap with Jennifer Lawrence and Bradley Cooper backstage, and Jessica Chastain laughed with ladies Kerry Washington and Julianne Moore. Click through to see all the celebrity fun inside the SAGs! lets back to Anne Halthaway She has already scooped the Golden Globe Award for Best Supporting Actress for her role in Oscar-nominated epic Les Miserables.
And Anne Hathaway made it a double triumph on Sunday night in Los Angeles when she won the Screen Actors Guild award for playing prostitute Fantine in the film adaptation of the musical.
The star was clearly choked up as she thanked her family, husband and fellow nominees at the Shrine Auditorium.

Looking stunning in a black Giambattista Valli couture gown and bright red lipstick, the emotional star said: ' I want to thank my mother for voting for me - she better have.''Thanks mom for being an actor and dad for being married to one,' she said, before going on to pay tribute to her castmates in The Dark Knight Rises and Les Miserables.'I'm just thrilled I have dental,' she laughed. 'I got my SAG card when I was 14. It felt like the beginning of the world. I have loved every single minute of my life as an actor.'Thank you for nominating me alongside incredible women and incredible performances.'Hathaway won for her role as a doomed single mother forced into prostitution in the adaptation of the stage musical based on Victor Hugo's epic novel.